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Grevin's life-size — and very convincing — figure of the late Princess of Wales is dressed in a replica of the black, off-the-shoulder, figure-hugging Diana wore to a Serpentine Gallery event in London in 1994. It was the same night that King Charles III — at the time — acknowledged on television that he had been unfaithful with , now Queen Camilla.

For Paris, the tribute carried extra weight: Diana — “Lady Di” to the French, who still use the nickname affectionately even though she spent most of her public life as a princess — in a tunnel by the Seine in 1997, a death that helped immortalize her in the Parisian imagination, where she still remains present in the flowers and handwritten notes left at informal memorials.

Museum officials noted that the unveiling came on the 30th anniversary of an explosive interview that Diana gave to BBC “Panorama,” which observers say dented the standing of the monarchy and the Queen.

Some observers noted wryly how the museum's newest royal guest was positioned far from wax likenesses of her famous ex-husband and mother-in-law.

High heels, a pearl choker at her neck and a small handbag clasped in both hands completed the sculpture. Tabloids later dubbed the outfit the “revenge dress,” and the museum leaned into that symbolism.

French novelist Christine Orban, who wrote “Mademoiselle Spencer,” a novel imagined from Diana’s point of view, said the figure was overdue.

She called the black dress a turning point in .

“The dress is very significant of her liberation because in the royal family, black is only worn for funerals, and then such a sexy dress for a Princess of Wales, well, that’s not common either,” she said. “So she decides to wear her high heels and Louboutins. And to go to the Serpentine Gallery to make an impression, to get photographed.”

Grevin, founded in the 19th century, has long packed its ornate halls with political leaders, artists, pop-culture figures — and, yes, British royals. Diana is the latest in a steady stream of star wattage additions the museum uses to refresh the collection and boost visitors at the site that has attracted some 700,000 annual visitors in recent years.

News of the unveiling filtered through Paris, even before most people had a chance to visit.

“It brought back that night in the tunnel, even though I was a kid then,” said Julien Martin, 38. “Paris never completely let go of Diana, so it made sense that a big wax museum finally did this.”

“I wasn’t even alive but for my generation, she seems like the first modern princess — glamorous, but also vulnerable,” said 24-year-old student Lina Ben Amar. “If tourists come to see celebrities in wax, she is one of the first they will look for.”

Diana will be in good company. Curators set her beside another prominent royal who died in Paris — albeit centuries earlier: Marie Antoinette.