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“No to war and free Palestine,” actor Javier Bardem said onstage before presenting best international feature film. He wore a patch reading “No a la Guerra,” the same anti-war slogan he sported to protest the Iraq war more than two decades ago.

As Hollywood's awards season comes to a close with the Oscars, political organizers suggested that celebrities found their political voices more this cycle than in recent years. Maremoto Executive Director Jess Morales Rocketto, whose Latino advocacy group was behind the , called it a “return to form” for artists' political engagement.

She credited comments by on the Golden Globes red carpet in January. The actor, who is often outspoken, told Entertainment Tonight that “as much as I love all this” he found it difficult to pretend “like this crazy stuff isn't happening.”

“I think we tapped into something early on that this is a time to take stands and make clear where you are at this moment in history,” Morales Rocketto said ahead of Sunday's Oscars.

On Sunday, attendees representing wore a new red “Artists4Ceasefire” pin. The docudrama, which follows efforts to rescue a Palestinian girl killed in Gaza, was nominated for best international feature film.

Israeli since a U.S.-brokered truce went in October, according to Gaza’s Health Ministry.

“Our struggles are connected. So is our liberation. And we're so, so honored to be here tonight,” Saja Kilani, one of the film's stars, told The Associated Press on .

The content of Sunday's ceremony proved more political than previous years — even if it lacked direct references to the and other global issues. “One Battle After Another” director Paul Thomas Anderson said he wrote the political drama for his children to apologize for the “housekeeping mess we left in this world we’re handing off to them.”

cracked jokes at the expense of the U.S. health care system and Kid Rock, referring to conservative organization Turning Point USA's .

In a rare moment of sincerity, O’Brien said the Oscars are particularly resonant in “moments like these,” nodding broadly at the many different world crises.

“We pay tribute tonight not just to film, but to the ideals of global artistry, collaboration, patience, resilience and that rarest of qualities today: optimism,” he said.

The category, whose nominees tend to contain more overt political messages, brought more social commentary. David Borenstein, one of the directors, said the documentary is about “how you lose your country.”

That happens through “countless small little acts of complicity” such as “when a government murders people on the streets of our major cities” or when “oligarchs take over the media,” Borenstein said.

“We all face a moral choice, but luckily, even a nobody is more powerful than you think,” he said.

Other advocacy groups used the hubbub of the show to draw attention to their causes. Pushing against corporate media consolation, Free Press had a mobile billboard circling the Dolby Theater to protest .

Morales Rocketto acknowledged that no one pin will create the systemic change to U.S. immigration policy that she seeks. But she likened each individual action to “droplets” in the “giant ocean that we are trying to move.”

“This only happens if stars say yes, if stars decide to use their platform, if they decide that they want to make statements that go beyond, ‘What am I wearing,’” she said. “I don’t take that for granted. It’s a big move for people to say that.”