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Salles paid homage to Eunice's bravery, and Torres for portraying her along with Fernanda Montenegro, the daughter of one of the country’s greatest stars. She appears late in the film as the older Eunice.

“This goes to a woman who after a loss suffered during an authoritarian regime decided not to bend and resist. This prize goes to her," Salles said during his acceptance speech, as the audience gave a standing ovation. “And it goes to the two extraordinary women who gave life to her.”

“Today is the day to feel even prouder of being Brazilian,” wrote on X, “Pride for our cinema, for our artists and, primarily, pride for our democracy.”

At the Sambadrome in Rio de Janeiro, where Carnival parades are underway, the announcer shared the results with the tens of thousands of spectators in the crowd, eliciting shouts of joy.

“Let’s celebrate!” the announcer said. “Congratulations, Walter Salles! Congratulations, Fernanda Torres! Congratulations, Brazil! The Oscar is ours!”

The focus of “I’m Still Here,” based on is Eunice, the mother of five left to remake their family’s life with neither her husband nor any answers for his disappearance. It unfolds as a portrait of a different kind of political resistance — one of steadfast endurance.

Salles believed the film resonated with audiences who might not be familiar with the dictatorship in Brazil, because of the storyline's ability to overcome loss and the strength to fight injustice.

“This woman had the possibility to bend or to embrace life, and did embrace life,” Salles said backstage. “At the end of the day, it's a film about that: The hope that embracing life allows you to have. Maybe that's a way into the film. Another way to understand this is that democracy is becoming so fragile everywhere around the world."

Eunice refuses the military dictatorship’s attempt to break her and her family. When, in one scene, Eunice and her children — by then long without their disappeared father — pose for a newspaper photograph, she tells them to smile.

“The smile is a kind of resistance,” Torres told The Associated Press. “It’s not that they’re living happily. It’s a tragedy. Marcelo recently said something that Eunice said that I had never heard: ‘We are not a victim. The victim is the country.’”

“I'm Still Here" is a deeply Brazilian story, made by one of the country’s most acclaimed directors (Salles’ films include “Central Station” and “Motorcycle Diaries”) and Montenegro.

Also nominated for best international film were Denmark’s “The Girl with the Needle,” Germany’s “The Seed of the Sacred Fig,” Latvia’s “Flow” and France’s “Emilia Pérez,” a

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Associated Press Writer David Biller contributed from Rio de Janeiro.

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