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The four large canvases of the Birkenau series are abstract paintings with many gray and black surfaces, but also some red and green dashes.

The basis of the paintings are four photos secretly taken in 1944 by Jewish prisoners at the Auschwitz-Birkenau extermination camp, who risked their lives doing so. Richter transferred the four photographs with charcoal and oil onto the canvas and then gradually painted over them with oil paint until their content was no longer visible.

Richter's process of abstraction was based on his conviction that he could not do justice to the incomprehensible horror of the Holocaust with direct depiction.

During the Holocaust, the Nazis and their henchmen murdered 6 million European Jews.

In the gallery across from the Birkenau paintings is a large mirror which not only reflects the four works, but also visitors who thus become part of the installation.

“I think that is what makes this work so central and so intense, that you as a visitor are really questioned about your responsibility during the time of Nazis and your position on the Holocaust,” said Maike Steinkamp, the curator of the exhibition.

"Richter doesn’t give us an analysis, but allows us as viewers to form our own opinion,” Steinkamp added.

Richter, who is 91, lives in the western city of Cologne. His oeuvre spans six decades in which he has repeatedly explored the possibilities and limits of painting as well as the tension between abstraction and figuration.

In 2021, the Gerhard Richter Foundation committed a total of 100 artworks to the collection of the ��ɫtvgalerie as a permanent loan which will be transferred to the Museum of the 20th Century that is currently being build next door and set to be completed in 2026.

“We’re building a special exhibition room for the long term loan for Gerhard Richter in the new building,” said Klaus Biesenbach, the director of the Neue ��ɫtvgalerie.

Biesenbach added that the current gallery is “a bit smaller than it will be in the new building, but it’s as complex and as multi-faceted.”

Until the opening of the new museum, the works will be presented at the Neue ��ɫtvgalerie. Not all 100 will be on display at the same time, they will be rotated.

Alongside the “Birkenau” series, there are currently several other works from various phases of Richter’s career including a large group of overpainted photographs.

There's also “4900 Colours” from 2007, which is composed of 196 individual square panels, each of which is subdivided into 25 color squares.

The exhibition was realized in close collaboration with the artist, the museum said.